By using the auto arrange script switchable on each individual instrument patch you can then put all the instruments in a section onto the same MIDI channel and give it some rules, such as in three-note harmony the highest note is played by first chair and section A, second note B and lowest C. Initially I had planned on getting Albion One. So appreciate your kind advice. I woudn't buy it now as groundbreaking as it was in , right now theres lots of better options for the price. I bought it when it was released and still is one of my favorite libraries up till today and I use CSS and Hollywood Strings beside it. If you like the sound, then go for it I would say. So, for example, if you want to detune using the microtunings but only want it on certain passages you can bring it in and out, you can decide when a legato goes from non-vibrato to vibrato. 
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This is called divisi and is a major part of why string orchestras sound the way they do.
LASS Full 2.5
We are happy to announce a new class of patches for LASS 2. Script Explained Auto Arranger Teaser.
Jaap Yes, that's an alto flute. Creative control Ultimately we can only give you a brief overview of what you can do with LASS as it is a huge instrument.
Audiobro LA Scoring Strings Version 2.5
I can't remember anymore if I had to pay for an upgrade to version 2, but the fact that I don't remember says that if it was so, that it was nothing spectecular. I've had no trouble at all running multiple instances for different orchestral sections; it seems super efficient. Mike Fox Senior Member.
While you can get away with 4 or 8GB we would say that 16GB is best, so you will also have to be running bit. However, I tend to be the black sheep on that one, so take that with a grain of salt. Before LASS 2, if you wanted to change the non-performance settings on multiple patches, you would have to make those changes on a per-patch audiobto.
I like the ability to control vibrato. It's also possible to have a full sordino library in addition, a muted style much used in film scores. Everywhere Threads This forum This thread. Well… this is where ARC integration saves you time.
Incredibly sophisticated control parameters for maximum playability.
I definitely think it's a solid choice for the current sale price. Buy if you like the sound!
Audiobro LA Scoring Strings Version | MusicRadar
This gives added depth to your sampled orchestra by positioning the players accurately as audlobro would be on akdiobro soundstage and there are presets which emulate classic film scores to get you started. Other libraries have many more articulations which is important to me. No more having to scroll through all the patches to apply changes you need.
Aside from our 2. I was also considering Berlin but was turned off from their strings because of the baked reverb sound as well as some other things. This allows you to reduce the dynamics of a passage by turning the knob down even remotely via CC. I wanted to make sure that my purchase to 2.
LASS still a good late buy? | VI-CONTROL
By assigning the different divisis to a patch and allowing for individual control of tuning and modulation, you are able to create many varieties of dissonant strings while maintaining control of how it reacts over time. Stage and colour is a clever script that in conjunction with the A. Hi there I was in a very similar position as yours. Not only do these patches play non-vibrato and vibrato legato, portamento and glissando articulations, but they also allow you to vary the amount of vibrato in real-time… completely transparently via CC2.
The larger premium Spitfire libraries all seem great but over a grand and too pricy for me right now. Thanks in advance for your help. The samples are all made using multiple players to avoid the dreaded 'same player' problem and all short sounds like staccato have multiple round robin sets to prevent the 'machine gun' effect in fast repetitive phrases. Forums Latest Posts Search forums. Go full and get all the benefits it offers. If you want to write for strings in a realistic traditional way, LASS is the the way to go.
CSS is great and on some occasions I use it more, but thats only because it requires that more "lush" sound.
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